WORKS 

FULL ORCHESTRA

• Sneak In a Window (commissioned by Marin Alsop and the Cabrillo Music Festival)
• Rupture
• Viral Infection

LARGE ENSEMBLE (9+)

• Almost As If All At Once, the Heart Too Heavy (after Beckett)
• Nonet for Strings
  • Grey Air Timeless 
  •  Verge on Verge
  • The Tears of the World are a Constant Quantity
• In Memory of Anne, for double string orchestras and string quartet, commissioned by The Crowden School for their 25th anniversary, dedicated to Anne Crowden
• Leaving Home, for string orchestra (after three paintings by Umberto Boccioni)
  • The Farewell
  • Those Who Go
  • Those Who are Left Behind
• Team Effort, for chorus (Text by Bob Hicok)
• Towards the New,  (dedicated to my SOTA students) For 16 strings
  •  Fair Winds and Following Seas
  • Here Be Dragons
  •  Brave New World
• The Giant is There, for After Everything, String Orchestra (after Wallace Stevens)

SMALL ENSEMBLE (3-9) 

Strings (bowed)

• Invocation, for string quartet, commissioned by the Del Sol Quartet for their 20th anniversary
• Rising Shine, for string quartet
• Smeared Black Ink, for string quartet
• Study of Another's Beauty, for string quartet, written for the Habit Quartet, commissioned by the Yehudi Menuhin Foundation)

Strings (plucked)

• How to Shatter Light (Homage to Benjamin Britten), for Guitar Trio, commissioned by The Mobius Trio

Winds

• Love that Dirty Water, for woodwind quintet, commissioned by The Banff Festival

Brass

• Brush Strokes, for brass quintet
• Fierce Continual Flame, for brass nonet

Percussion

• Dance Like Mad, for Percussion Trio, commissioned by SF Composers Inc.
• Broken Prayer, for Taiko Ensemble

Mixed Ensemble

• Now or Now, for 2 guitars and percussion
• The She-Wolf, (after Jackson Pollock) for variable ensemble
• Broadway Boogie Woogie, (after Piet Mondrian) for Clarinet, Cello, Bass, Electric guitar, piano, percussion
• The Slow Swirl at the Edge of the Sea, (after Mark Rothko) for Flute, Clarinet, violin, cello, bass, electric guitar, keyboard, percussion

Duo (..... 2.....)
Vocal

• Flockless, for Soprano and Oboe, Text by Jill Ferguson
• Elemental, for Soprano and piano, Text by Jill Ferguson
• Song Cycle, for Soprano and Guitar, written for Matt Denman
  • Nothing Gold Can Stay, (Robert Frost)
  • Hope is the Thing with Feathers (Emily Dickinson)
  • The Summer Day (Mary Oliver)
  • Sonnet 30 (William Shakespeare)
  • Magic (Shel Silverstein)
  • For Tom Shaw S.S.J.E. (Mary Oliver)

Instrumental

• Amongst Resonant Depths, for bassoon and piano
• Audible Confection 1, for bassoon and violin
• Audible Confection 2, for trumpet and clarinet
• Audible Confection 3, for viola and oboe
• Bumps and Bubbles, for two pianos
• I Am Alive, for two pianos, written for Michelle and Christina Naughton
• Late Walk Home, for trumpet and piano
  • Free Floating Anxiety
  • A Couple Tap Dances in the Rain
• Toy, for two pianos and toy pianos

Solo
Strings (bowed)

• Frustration, Exhaustion, Tears, and Laughter (after Vonnegut), for solo violin (commissioned by Rick Shinozaki)
• Insistence, for solo viola, written for Morgan O'Shaughnessey
• I am Mass and Space, for solo cello, written for Isaac Pastor-Chermak
• Stations of the Cross, after Barnett Newman, for solo bass, written for Eugéne Thériault

Guitar

• I Wasted Time, and Now Doth Time Waste Me (after Shakespeare), for guitar, written for Max Zuckerman, Commissioned by the Baltimore Classical Guitar Society
• Fantasia, for solo guitar

Winds

• Going Up, for solo flute
• A Dark and Weary Eye, for solo bassoon, written for Kiel Curtis

Piano

• Declaration, for Piano Left Hand, dedicated to Kelsey Walsh
• Licking the Shoulder Blade of Maurice Ravel, for solo piano, dedicated and written for Julia Sheriff
• Soliloquy for John, commissioned by Sarah Cahill on the occasion of John Adams 60th birthday

Vocal

• Towards a Higher Cloud, for solo soprano

Other

• Three Places in the Bay Area, for electronics and film (with Will Yarbrough)